Documents secondaires

Ouvrages

  1. ARMSTRONG, Edward A., Shakespeare ’s Imagination. Lincoln: University of Nebraska Press, 1963.
  2. Auerbach, Erich. Scenes from the Drama of European Literature, “Figura. Manchester: Manchester UP, 1984, 11-76.
  3. BAKHTINE, Mikhaïl. Esthétique de la création verbale, traduit par Alfréda Aucouturie. Paris: Gallimard, 1984.
  4. _____. Esthétique et théorie du roman, traduit par Daria Olivier.Paris: Gallimard, 1978.
  5. _____. Le Freudisme. Lausanne: L’Âge d’homme, 1980.
  6. _____.(V. N. Volochinov) Le Marxisme et la philosophie du langage. Essai d'application de la méthode en linguistique, traduit par Marina Yaguello. Paris: Editions de Minuit, 1977.
  7. _____. L’œuvre de François Rabelais et la culture populaire au Moyen Age et sous la Renaissance, traduit par Andrée Robel. Paris: Gallimard, 1970.
  8. Barasch, Frances. K. The Grotesque. A study in meanings. The Hague: Mouton, 1971.
  9. BARBER, C. L., Shakespeare’s Festive Comedy, A Study of Dramatic Form and its Relation to Social Custom. Princeton, Princeton UP,1959.
  10. BARTHES, Roland. Le bruissement de la langue. Essais critiques IV. Paris: Seuil, 1984.
  11. _____. Le plaisir du texte. Paris: Seuil, 1973.
  12. BATE, Jonathan. Shakespeare and Ovid. Oxford: Oxford UP, 1998.
  13. Benjamin , Walter. The Origin of German Tragic Drama. London & New York: Verso, 1977.
  14. Bergson, Henri. Le rire. Essai sur la signification du comique.Paris: PUF, 1972.
  15. BERRY, Edward. Shakespeare’s Comic Rites. Cambridge: CUP, 1984.
  16. Bethell, S. L. Shakespeare and the Popular Dramatic Tradition. London & New York: Staples Press, 1948.
  17. Bevington, David M. From Mankind to Marlowe: growth of structure in the popular drama of Tudor England. Cambridge: Harvard University Press, 1962.
  18. Black, J. B. The Oxford History of England. The Reign of Elizabeth. Oxford: Clarendon, 1957, vol. VII,
  19. Blakemore Evans G., éd., Elizabethan Jacobean Drama. London: A & C Black, 1989.
  20. Bradbrook, Muriel C. The Growth and Structure of Elizabethan Comedy. London: Chatto & Windus, 1955.
  21. _____. Shakespeare and Elizabethan Poetry : a Study of his Earlier Work in Relation to the Poetry of the Time. Harmondsworth: Penguin, 1964.
  22. BULLOUGH, Geoffrey. Narrative and dramatic sources of Shakespeare. 8 vols. London: Routledge & Kegan Paul, New York: Colombia University Press. 1975.
  23. Camille, Michael. Image on the Edge : the Margins of Medieval Art. London: Reaktion Books Ltd, 1992.
  24. _____. Le monde gothique. Paris: Flammarion, 1996.
  25. Chambers , E. K. The Mediaeval Stage. 2 vols. Oxford: Oxford UP, 1903.
  26. CHEVALIER Jean et Alain Gheerbrant, Dictionnaire des symboles. Paris:
  27. Robert Laffont, 1982.
  28. Clubb, Louise George. Italian Drama in Shakespeare 's Time. New Haven & London: Yale UP, 1989.
  29. Cody, Richard. The Landscape of the Mind, Pastoralism and Platonic Theory in Tasso's Aminta and Shakespeare 's Early Comedies. Oxford: The Clarendon Press, 1969.
  30. Colie, Rosalie Littell. Paradoxica Epidemica, The Renaissance Tradition of Paradox. Princeton: Princeton UP, 1966.
  31. _____. The Resources of Kind. Genre-theory in the Renaissance. Berkeley: University of California Press, 1973
  32. Compagnon, Antoine. Chat en poche : Montaigne et l'allégorie . Paris: Editions du Seuil, 1993.
  33. COOPER, J. C. A n Illustrated Encyclopedia of Traditional Symbols. London: Thames and Hudson Ltd, 1993.
  34. CORNEILLE, Pierre, L’illusion comique. Paris: GF Flammarion, 1997.
  35. Creizenach, Wilhem Michael Anton. The English Drama in the Age of Shakespeare , traduit par Cecile Hugon. London: Sidgwick & Jackson, 1916.
  36. cRUPI, Charles W. Robert Greene . Boston : Twayne, 1986.
  37. Daly, Peter M. Literature in the Light of the Emblem. Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Century, Toronto, University of Toronto Press, 1979.
  38. DESSEN, Alan C. Shakespeare and the Late Moral Plays. London: University of Nebraska Press, 1986.
  39. Doran Madeleine. Endeavours of Art. Madison: University of Wisconsin Press, 1964.
  40. DUBOIS, Claude-Gilbert, Le baroque en Europe et en France. Paris: PUF, 1995.
  41. _____.Mythe et langage au seizième siècle. Bordeaux: Ducros, 1970
  42. ELAM, Keir. The Semiotics of Theatre and Drama. London: Routledge, 1994.
  43. ESSLIN, Martin. The Theatre of The Absurd. Harmondsworth: Penguin, 1970.
  44. Farnham, Willard. The Shakespearean Grotesque : Its Genesis and Transformations. Oxford: OUP, 1971.
  45. Fletcher , Angus. Allegory : the Theory of a Symbolic Mode. Ithaca: Cornell University Press, 1964
  46. Forestier, Georges. Le théâtre dans le théâtre sur la scène française du XVIIe siècle. Genève: Librairie Droz, 1996.
  47. FRAZER, James George. The Golden Bough. A study in Magic and Religion. London, New York: Oxford University Press, 1994.
  48. FRYE, Northrop. A Natural Perspective. New York: Columbia University Press, 1965.
  49. _____. Anatomy of Criticism : Four Essays. Harmondsworth: Penguin, 1957.
  50. _____. Fools of Time. Toronto: University of Toronto Press, 1985.
  51. GANIN, John M. Chaucerian Theatricality. Princeton: Princeton University Press, 1990.
  52. GENETTE, Gérard. Palimpsestes : La littérature au second degré. Paris : Editions du Seuil, 1982.
  53. GILBERT, Allan H. Literary criticism : Plato to Dryden. Detroit: Wayne State University Press, 1962.
  54. GOLDSMITH, Robert Hillis. Wise Fools in Shakespeare . Liverpool: Liverpool UP, 1958.
  55. GRANT, Michael. Myths of the Greeks and Romans. New York: New American Library, 1962.
  56. GRANVILLE-BARKER, Harvey. Prefaces to Shakespeare . Vol. 1. London: B. T. Batsford Ltd, 1958.
  57. GREENWOOD, John. Shifting Perspectives and The Stylish Style : Mannerism in Shakespeare and His Jacobean Contemporaries. Toronto: University of Toronto Press, 1988.
  58. Hall , Jonathan. Anxious Pleasures : Shakespearean Comedy and the Nation-State. New York: Associated University Presses, 1995.
  59. Hartwig, Joan. Shakespeare 's Tragicomic Vision. Baton Rouge: Louisiana State UP, 1972.
  60. Hegel, Esthétique. traduit par S. Jankélévitch. Paris: Aubier, 1944.
  61. HERRICK, Marvin T. Tragicomedy. Its Origin and Development in Italy, France, and England. Urbana: University of Illinois Press, 1962.
  62. HILLMAN, Richard. Self-speaking in Medieval and Early Modern English Drama : Subjectivity, Discourse and the Stage. Basingstoke: Macmillan Press, 1997.
  63. Hirst, David L. Tragicomedy. The Critical Idiom. London: Methuen, 1984.
  64. Hollander John, The Untuning of the Skies : Ideas of Music in English Poetry 1500-1700. New York: W. W. Norton, 1970
  65. Houle, Peter J. The English Morality and Related Drama : A Bibliographical Survey. Hamden, Connecticut: Archon Books, 1972.
  66. HOY, Cyrus. The Hyacinth Room. An Investigation into the Nature of Comedy, Tragedy, and tragicomedy. New York: Alfred a. Knopf, 1964.
  67. Huizinga, Johan. L'automne du Moyen Age.Saint-Amand (Cher): Editions Payot, 1975.
  68. _____. Homo ludens, Essai sur la fonction sociale du jeu ,traduit par Cécile Seresia. Paris: Gallimard, 1995.
  69. Janicka, Irena. The Comic Elements in English Mystery Plays Against the Cultural Background. Poznan: Particularly Art, 1962
  70. Janson, H.W. Apes and Ape Lore in the Middle Ages and the Renaissance. London: The Warburg Institute, 1952.
  71. Jones, Emrys. The Origins of Shakespeare . Oxford: Clarendon Press, 1977.
  72. Jones-Davies, Marie-Thérèse. Shakespeare , le théâtre du monde.Paris: Balland, 1987.
  73. Kayser, Wolfgang. The Grotesque in Art and Literature, traduit par Ulrich Weisstein. Bloomington: 1963.
  74. KIBLANSKY, Raymond, Erwin PANOFSKY et Fritz SAHL. Saturne et la mélancolie : études historiques et philosophiques : nature, religion, médecine et art, traduit par Fabienne Durand-Bogaert et Louis Evrard. Paris: Gallimard, 1989.
  75. Kirsch, Arthur C. Jacobean Perspectives. Charlottesville: The University Press of Virginia, 1972.
  76. KNIGHT, Wilson G. The Crown of Life : Essays in Interpretation of Shakespeare's Final Plays. London and New York: Methuen , 1985.
  77. _____. The Wheel of Fire : Interpretations of Shakespearean Tragedy. London and New York: Routledge, 1993.
  78. Kolve, V.A. The Play Called Corpus Christi. Stanford: Stanford UP, 1966.
  79. LAROQUE,François. Shakespeare et la fête. Essai d’archéologie du spectacle dans l’Angleterre élisabéthaine.Paris: PUF, 1988.
  80. LASCOMBES, André, éd. Tudor Theatre : Let There be Covenants. Actes de la table ronde VI du Centre d’études supérieures de la Renaissance, Tours. THETA 4. Bern: Peter Lang, 1998.
  81. _____. Tudor Theatre : Narrative and Drama. Actes de la table ronde IV du Centre d’études supérieures de la Renaissance, Tours, THETA 2. Bern : Peter Lang, 1995.
  82. _____. Tudor Theatre: The Problematics of Text and Character. Actes des tables rondes I-II-III du Centre d’études supérieure de la Renaissance, Tours, THETA 1. Bern: Peter Lang, 1994.
  83. LECOQ, Louis. La satire en Angleterre de 1588 à 1603. Paris: Didier, 1969.
  84. LEVIN, Richard. The Multiple Plot in English Renaissance Drama. Chicago and London: The University of Chicago Press, 1971.
  85. LIEBLER, Naomi Conn. Shakespeare’s Festive Tragedy : The Ritual Foundations of a Genre. London and New York: Routledge, 1995.
  86. LONG, Michael. The Unnatural Scene. A Study in Shakespearean Tragedy . London: Methuen, 1976.
  87. MACQUEEN, John.A llegory. Critical Idiom. London: Methuen,1970.
  88. Maguire, Nancy Klein. Renaissance Tragicomedy Explorations in Genre and Politics. New York: AMS Press, 1987.
  89. MANNONI, Octave, Clefs pour l’imaginaire ou l’autre scène, Paris: Seuil, 1969.
  90. MAQUERLOT, Jean-Pierre. Shakespeare and the Mannerist Tradition. A Reading of Five Problem Plays. Cambridge: CUP, 1995.
  91. Marienstras, Richard. Le proche et le lointain. Paris: Les Editions de Minuit, 1981.
  92. Meyer-Baer, K. The Music of the Spheres and the Dance of Death . Studies in Musical Iconology. Princeton: Princeton UP, 1970.
  93. MIOLA, Robert S. Shakespeare and Classical tragedy . The Influence of Seneca. Oxford: Clarendon Press, 1992.
  94. _____. Shakespeare and Classical Comedy. The Influence of Plautus and Terence . Oxford: Clarendon Press, 1994.
  95. Montano, Rocco, Shakespeare 's Concept of Tragedy. The Bard as Anti-Elizabethan. Chicago: Gateway Editions, 1985.
  96. NEUMAN, Erich, The Great Mother, traduit par Ralph Mannheim. Princeton, New Jersey: Princeton UP, 1963.
  97. Owst, G. R. Literature and Pulpit in Medieval England. Cambridge: CambridgeUniversity Press, 1933.
  98. Panofsky, Erwin. Albrecht Dürer . vol. 1 , London: Humphrey Milford, OUP, 1945.
  99. Partridge, Eric. Shakespeare 's Bawdy. London & New York: Routledge, 1968.
  100. Pavis, P. Dictionnaire du théâtre. Paris: Dunod, 1996
  101. PFISTER, Manfred. The theory and analysis of drama. Cambridge: Cambridge UP, 1988.
  102. Platz, Norbert H., éd. English Dramatic Theories, from Elyot to the Age of Dryden, Vol. I, 1531-1668, Tübingen: Max Niemeyer Verlag, 1973.
  103. Potter, Robert. The English Morality Play. London: Routledge & Kegan Paul,1975.
  104. Prior, E., et A. Gardner,An Account of Medieval Figure Sculpture in England. Cambridge: Cambridge UP, 1912.
  105. RHODES, Neil. Elizabethan Grotesque. London, Boston and Henley: Routledge & Kegan Paul, 1980.
  106. RIGHTER, Anne. Shakespeare and the Idea of the Play. Harmondsworth: Penguin, 1967.
  107. Ristine, Frank Humphrey. English Tragicomedy : Its origin and History. New York: Columbia UP, 1910.
  108. Rossiter, A. P. English Drama from Early Times to the Elizabethans. Its backgrounds, origins, and developments. London: Hutchinson University Library, 1950.
  109. ROUSSET, Jean. La littérature de l'âge baroque en France : Circé et le paon. Paris: Librairie José Corti, 1954.
  110. SACCIO, Peter. The Court Comedies of John Lyly . A Study in Allegorical Dramaturgy. Princeton: Princeton University Press, 1969.
  111. SALINGAR, Leo. Shakespeare and the Traditions of Comedy. Cambridge: CUP, 1974.
  112. SENG, Peter J. The Vocal Songs in the Plays of Shakespeare. A Critical History. Cambridge, Massachusetts: Harvard UP, 1967.
  113. Sternfield, F. W. Music in Shakespearean Tragedy. London: Routledge and Kegan Paul. New York: Dover Publications, 1963.
  114. Simonds, Peggy Muñoz. Iconographic Research in English Renaissance Literature: A Critical Guide. NY and London: Garland Publishing Inc., 1995.
  115. _____.Myth, Emblem, and Music in Shakespeare’s Cymbeline . London and Toronto: Associated University Press, 1992.
  116. SMITH, G. C. Moore. College Plays Performed in the University of Cambridge. Cambridge: CUP, 1923.
  117. SOELLNER, Rolf. Shakespeare 's Patterns of Self-Knowledge. Ohio: Ohio State UP, 1972.
  118. SOUTHERN, Richard. The Staging of Plays Before Shakespeare. London: Faber and Faber, 1973.
  119. Spingarn, Joel Elias. A History of Literary Criticism in the Renaissance. New York: Columbia University Press, 1925.
  120. SPIVACK, Bernard. Shakespeare and the Allegory of Evil. The History of a Metaphor in Relation to His Major Villains. New York and London: Columbia UP, 1958.
  121. SPURGEON, Caroline. Shakespeare 's Imagery and What It Tells Us. Cambridge: Cambridge UP, 1965.
  122. STEINER, George. The Death of Tragedy . London: Faber and Faber, 1961.
  123. THOMPSON, Ann. Shakespeare’s Chaucer : A Study in Literary Origins. Liverpool: Liverpool University Press, 1978.
  124. THOMPSON, Philip. The Grotesque. Critical Idiom. London: Methuen, 1972.
  125. TILLYARD, E. M. W. The Elizabethan World Picture. Harmondsworth: Penguin., 1979.
  126. Todorov, Tzvetan. Symbolisme et Interprétation. Paris: Seuil, 1978.
  127. _____.Théories du Symbole. Paris: éditions du Seuil, 1977.
  128. UBERSFELD, Anne. L'école du spectateur : Lire le théâtre II. Paris: Belin, 1996.
  129. _____. Lire le théâtre. Paris: Editions sociales, 1978.
  130. Venet, Gisèle. Temps et Vision Tragique. Shakespeare et ses contemporains. Paris: Service des publications Université de la Sorbonne Nouvelle Paris III, 1985.
  131. Waith, Eugene M. The Pattern of Tragicomedy in Beaumont and Fletcher . New Haven: Yale University Press, 1952
  132. Wells, Robin Headlam, Elizabethan Mythologies : Studies in Poetry, Drama and Music. Cambridge: CUP, 1994.
  133. Welsford, Enid, The Fool, His Social and Literary History. New York: Anchor Books, 1961.
  134. Wickham , Glynne. Early English Stages 1300-1660, Volume Three : Plays and their Makers to 1576. London and Henley: Routledge & Kegan Paul, 1981.
  135. _____.A History of the Theatre. London: Phaidon Press, 1985.
  136. Wiles, David. Shakespeare 's Clown : Actor and Text in the Elizabethan playhouse. Cambridge: Cambridge UP, 1990.
  137. WIND, Edgar. Mystères païens de la Renaissance. Traduit de l’anglais par Pierre-Emmanuel Dauzat. Paris: Gallimard, 1992.
  138. Wright, Thomas. A History of Caricature and Grotesque in Literature and Art, London: Chatto and Windus, 1875.
  139. Yates, Frances. Astrea, the Imperial Theme in the Sixteenth Century. London: Routledge & Kegan Paul, London 1975.