2. Ouvrages

1. ARMSTRONG Paul B., The Challenge of Bewilderment, Understanding and Representation in James, Conrad and Ford, Ithaca and Londres : Cornell University Press, 1987.
2. BROOKS Peter, Reading for the Plot, Design and Intention in Narrative, Oxford : Clarendon Press, 1984, 363 p.
3. BURDEN Robert, Heart of Darkness : An introduction to the Variety of Criticism, Basingstoke : Macmillan, 1991.
4. CONROY Mark, Modernity and Authority : Strategies of Legitimation in Flaubert and Conrad, Londres : John’s Hopkins University, 1985, 193 p.
5. DARRAS Jacques, Joseph Conrad, Paris : Marval, 1991, 87 p.
6. FINCHAM Gail, Under Postcolonial Eyes: Joseph Conrad after Empire, Rondebosch, South Africa: UCT Press, 1996, 216 p.
7. FOGEL Aaron, Coercion to Speak : Conrad’s Poetics of Dialogue, Cambridge : Harvard University Press, 1985.
8. FORD Madox Ford, Joseph Conrad : A Personal Remembrance (©1924), New York : Octagon Books Inc., 1965, 276 p.
9. GRIFFITH John W., Joseph Conrad and the Anthropological Dilemma: ’bewildered traveller’, Oxford : Clarendon Press, 1995, 248 p.
10. HAWTHORN Jeremy,
11. Joseph Conrad : Language and Fictional Self-Consciousness, Londres : Edward Arnold, 1979, 138 p.
12. Joseph Conrad, Narrative Technique and Ideological Commitment, Londres : Edward Arnold, 1990, 271 p.
13. HENRICKSEN Bruce, Nomadic Voices, Conrad and the Subject of Narrative, Urbana and Chicago : University of Illinois Press, 1992, 201 p.
14. JACKSON Tony E., The Subject of Modernism : Narrative Alterations in the Fiction of Eliot, Conrad, Woolf and Joyce, Ann Arbor : University of Michigan Press, 1994, 209 p.
15. KIMBROUGH Robert (éd.), Heart of Darkness, An Authoritative Text, Backgrounds and Sources, Criticism, New York : W. W. Norton/ Norton Critical Edition, 1988 (3e édition), 418 p.
16. LEAVIS F. R., The Great Tradition (©1948), Harmondsworth : Penguin, 1962, 295 p.
17. LONDON Bette, The Appropriated Voice: Narrative Authority in Conrad, Forster, and Woolf, Ann Arbor : University of Michigan Press, 1990, 196 p.
18. LOTHE Jakob, Conrad’s Narrative Method, Oxford : Clarendon Press, 1989, 315 p.
19. MARTINIÈRE Nathalie, Les représentations de l’espace dans les romans de Joseph Conrad, thèse d’anglais, Paris III, 1996, dir. M. Teyssandier.
20. NAJDER ZdzisŁaw, Conrad in Perspective, Essays on Art and Fidelity, Cambridge : Cambridge University Press, 1997, 240 p.
21. PAULY Véronique, Le regard conradien. Esthétique de la perception dans la fiction de Joseph Conrad 1898-1911, thèse d’anglais, Paris III, 2 vol., 1996, dir. M. Teyssandier.
22. PECORA Vincent, Self and Form in Modern Narrative, Baltimore : Johns Hopkins University Press, 1989, 298 p.
23. RAY Martin, Joseph Conrad, Londres : E. Arnold, 1993, 118p.
24. REILLY Jim, Shadowtime, History and Representation in Hardy, Conrad and George Eliot, Londres : Routledge, 1993, 185 p.
25. SAID Edward, Beginnings, Intention and Method, New York : Columbia University Press, 1975, 414 p.
26. SHAFFER Brian W., The Blinding Torch: Modern British Fiction and the Discourse of Civilisation, Amherst : University of Massachusetts Press, 1993.
27. TRILLING Lionel, Sincerity and Authenticity, Londres : Oxford University Press, 1972 (©1971), 188 p.
28. WATT Ian, Conrad in the Nineteenth Century, Londres : Chatto & Windus, 1980, 375 p.
29. WHITE Andrea, Joseph Conrad and the Adventure Tradition, Constructing and Deconstructing the Imperial Subject, Cambridge : Cambridge UP, 1993, 233 p.
30. WHITE Hayden, The Content of the Form, Narrative Discourse and Historical Representation, Londres : The Johns Hopkins University Press, 1989 (©1987).
31. WOLLAEGER Mark, Joseph Conrad and the Fictions of Skepticism, Stanford, Calif. : Stanford University Press, 1990, 262 p.