2. La satire swiftienne

  1. Aikins, Janet E. "Reading ‘with Conviction’: Trial by Satire." In The Genres of Gulliver’s Travels. Ed. Frederik N. Smith. Newark: U of Deleware P, 1990. 203-229.
  2. Ball, David. "Vers une théorie de l’ironie: perspectives sur Swift." Etudes Anglaises 29.1 (1976): 1-14.
  3. Bogel, Fredric V. "The Difference Satire Makes: Reading Swift’s Poems." Theorizing Satire: Essays in Literary Criticism. Eds. Connery & Combe. Basingstoke: Macmillan, 1995. 43-53.
  4. Bony, Alain. "Call me Gulliver." Poétique 14 (1973): 197-209.
  5. Boyle, Frank. Swift as Nemesis. Modernity and its Satirist. Stanford: Stanford UP, 2000. xiv + 242 pp.
  6. Bullitt, John M. Jonathan Swift and the Anatomy of Satire: A Study of Satiric Technique. Cambridge: Cambridge UP, 1953. x + 214 pp.
  7. DePorte, Michael. "Swift and the License of Satire." Satire in the Eighteenth Century. Ed. J. D. Browning. New York: Garland, 1983. 53-69.
  8. Ehrenpreis, Irvin. Acts of Implication: Suggestion and Covert Meaning in the Works of Dryden, Swift, Pope, and Austen. Berkeley: U of California P, 1950. x + 158 pp.
  9. Ehrenpreis, Irvin. "Swift and the Comedy of Evil." In The World of Jonathan Swift. Essays for the Tercentenary. Ed. Brian Vickers. Oxford: Blackwell, 1968. 213-219.
  10. Ehrenpreis, Irvin. "Swiftian Dilemmas." In Satire in the XVIII th Century. Ed. J. D. Browning. New York: Garland Pub., 1983. 214-231.
  11. Eilon, Daniel. "Swift’s Satiric Logic: On Parsimony, Irony, and Antinomian Fiction." The Yearbook of English Studies 18 (1988): 18-40.
  12. Eilon, Daniel. Factions’ Fictions: Ideological Closure in Swift’s Satire. Newark: University of Delaware Press; London, Toronto: Associated University Presses, 1991. 212 pp.
  13. Elliott, Robert C. " Swift’s I." Yale Review 52 (1973): 372-391.
  14. Elliott, Robert C. "Swift’s Satire: Rules of the Game." English Literary History 41.3 (1974): 413-428.
  15. Elliott, Robert C. "The Satirist Satirized." In Jonathan Swift. Ed. Harold Bloom. New York, New Haven, Philadelphia: Chelsea House Publishers, 1986. 23-45.
  16. Ewald, William Bragg, Jr. The Masks of Jonathan Swift (1954). New York: Russel and Russel, 1967. 203 pp.
  17. Fitzgerald, Robert P. "Swift’s Immortals: The Satiric Point." Studies in English Literature 24 (1984): 483-495.
  18. Forster, Jean-Paul. Jonathan Swift: The Fictions of the Satirist. From Parody to Vision. Berne, Frankfurt: Peter Lang, 1998. 258 pp.
  19. Francus, Marilyn. The Converting Imagination: Linguistic Theory and Swift’s Satiric Prose. Carbondale: Southern Illinois UP, 1994. xviii + 260 pp.
  20. Frost, William. "The Irony of Swift and Gibbon: A Reply to F. R. Leavis." Essays in Criticism 17 (1967): 41-47.
  21. Hammer, Stephanie B. Satirizing the Satirist: Critical Dynamics in Swift, Diderot, and Jean Paul. New York: Garland, 1990. xix + 128 pp.
  22. Ingram, Allan. Intricate Laughter in the Satire of Swift and Pope. Basingstoke: Macmillan, 1986. x + 206 pp.
  23. Leavis, F. R. "The Irony of Swift." Scrutiny 2 (1934): 364-378. In The Common Pursuit. London: Chatto & Windus, 1956. 73-87.
  24. Manning, Susan L. "Mirth and Melancholy: The Generative Language of Fantasy in Swift and Smart." Swift Studies 7 (1992): 54-68.
  25. Phiddian, Robert. Swift’s Parody. Cambridge: Cambridge UP, 1995. 221 pp.
  26. Price, Martin. Swift’s Rhetorical Art: A Study in Structure and Meaning. New Haven, Conn.: Yale UP, 1953. 115 pp.
  27. Quintana, Ricardo. "Situational Satire: A Commentary on the Method of Swift." University of Toronto Quarterly 16 (1948): 130-136.
  28. Rawson, Claude. "The Character of Swift’s Satire: Reflections on Swift, Johnson, and Human Restlessness." In The Character of Swift’s Satire: A Revised Focus. Ed. Claude J. Rawson. Newark: U of Delaware P, 1983. 343 pp.
  29. Rawson, Claude. "Gulliver and others: Reflections on Swift’s ‘I’ Narrators." In Swift, the Enigmatic Dean: Festschrift For Hermann Josef Real. Eds. Rudolf Freiburg, Arno Löffler, and Wolfgang Zach.Tübingen: Stauffenburg Verlag, 1998. 231-246.
  30. Real, Hermann J. "‘A Dish plentifully stor’d’: Jonathan Swift and the Evaluation of Satire." In Reading Swift. Papers from the Second Münster Symposium on Jonathan Swift. Eds. Richard H. Rodino and Hermann J. Real. Munich: Wilhelm Fink Verlag, 1993. 45-58.
  31. Reilly, Patrick. "A Mighty Impotence: The Satire of Swift." Swift Studies 9 (1994): 51-64.
  32. Rosenheim, Edward Jr. Swift and the Satirist’s Art. Chicago: U of Chicago P, 1963. ix + 243 pp.
  33. Rowland, Jon. "From Cheated Sight to False Light: Analogy in Swift and Churchill." Theorizing Satire: Essays in Literary Criticism. Eds. Connery & Combe. Basingstoke: Macmillan, 1995. 107-132.
  34. Sams, Henry W. "Swift’s Satire of the Second Person." English Literary History 26 (1959): 36-44.
  35. Starkman, Miriam. "Jonathan Swift: The Ultimate Realities of Satire." Ultimate Reality and Meaning 12.1 (March 1989): 30-42.
  36. Terry, Richard. "Swift’s Use of ‘Personate’ to Indicate Parody." Notes and Queries 239 (June 1994): 196-198.
  37. Traugott, John. "The Yahoo in the Doll’s House: Gulliver’s Travels the Children’s Classic." In English Satire and the Satiric Tradition. Ed. Claude J. Rawson. Oxford: Blackwell, 1984. 127‑150.
  38. Wagner, Peter. "Swift’s and the Female Idol: The Dean as Iconoclast." Anglia 110 (1992): 347-367.
  39. Zimmerman, Everett. Swift’s Narrative Satires: Author and Authority. Ithaca, London: Cornell UP, 1983. 183 pp.