2. Etudes sur Thomas Hardy :

Ouvrages :

  1. Bullen, J. B., The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy, Oxford, Clarendon Press, 1986.
  2. Casagrande, Peter J., Unity in Hardy’s Novels: “Repetitive Symmetries”, London, Macmillan, 1982.
  3. Elliott, AlbertPettigrew, Fatalism in the Works of Thomas Hardy, New York, Russel and Russel, 1966.
  4. Garson, Marjorie, Hardy’s Fables of Integrity: Woman, Body, Text, Oxford, Clarendon Press, 1991.
  5. Hardy, Barbara, The Appropriate Form: An Essay on the Novel, London, The Athlone Press, University of London, (1964), 1971.
  6. Hardy, Barbara, Forms of Feeling in Victorian Fiction, London, Methuen, (1985), 1986.
  7. Kramer, Dale, ed., The Cambridge Companion to Thomas Hardy, Cambridge, Cambridge University Press, 1999.
  8. Lawrence, D. H., Study of Thomas Hardy and Other Essays, Cambridge, Cambridge University Press, 1988.
  9. Miller, John Hillis, Thomas Hardy: Distance and Desire, Cambridge (Massachusetts), The Belknap Press of Harvard University Press, 1970.
  10. Miller, John Hillis, Fiction and Repetition, London, Blackwell, 1982.
  11. Morrison, Donald J., ed., Thomas Hardy: Stories and Poems, London, Dent, Everyman’s Library, 1970.
  12. Ramel, Annie, Mémoire de synthèse présenté en vue de l’habilitation à diriger des recherches sous la direction de Madame le Professeur Josiane Paccaud-Huguet, Lyon, Université Lumière Lyon 2, Novembre 2001.
  13. Vigar, Penelope, The Novels of Thomas Hardy: Illusion and Reality, London, University of London, The Athlone Press, 1974.
  14. Watt, Ian, ed., The Victorian Novel: Modern Essays in Criticism, London, Oxford University Press, 1971, pp. 390-431.