Ouvrages

1. Arbus, Doon, ed. Diane Arbus: An Aperture Monograph. New York: Aperture, 1972.
2. Art, regard, écoute : la perception à l’œuvre. Presses Universitaires de Vincennes, 2000.
3. Allen, Donald, ed. A Quick Graph, Collected Notes and Essays. San Francisco: Four Seasons Foundation, 1970.
4. ---. The New American Poetry: 1945-1960. Berkeley: University of California Press, 1999
5. ---. Was That a Real Poem and Other Essays. Bolinas [Ca]: Four Seasons Foundation, 1979.
6. Altieri, Charles. Painterly Abstraction in Modernist American Poetry. Cambridge: Cambridge University Press, 1989.
7. ---. Enlarging the Temple: New Directions in American Poetry During the 1960s. Lewisburg: Bucknell University Press, 1979.
8. Ashbery, Shannon, Livingstone and Hyman. Kitaj: Paintings, Drawings, Pastels. London: Thames and Hudson, 1983.
9. Avedon, Richard. Richard Avedon: Portraits. New York: Harry New Abrams, 2002.
10. Barthes, Roland. Œuvres complètes IV, 1972-1976. Paris: Seuil, 2002.
11. Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: University of Chicago Press, 1999.
12. Blanchot, Maurice. L’espace littéraire. Paris: Gallimard, 1955.
13. Blevins, Richard, ed.Charles Olson and Robert Creeley: The Complete Correspondence. Vols IX, X. Santa Rosa: Black Sparrow Press
14. Bois, Yves-Alain, and Rosalind Krauss. L’informe : mode d’emploi. Paris : Éditions du Centre Pompidou, 1996.
15. Borges, Jorge Luis. This Craft of Verse. Cambridge [Mass]: Harvard University Press, 2000.
16. Butterick, George F., ed. Charles Olson and Robert Creeley: The Complete Correspondence. Vols I-VIII. Santa Barbara : Black Sparrow Press, 1980.
17. Cage, John. Theme & Variation. New York: Station Hill Press, 1982.
18. Calvino, Italo. Leçons américaines : Aide-mémoire pour le prochain millénaire. Paris: Gallimard, 1989.
19. Cappellazzo, Amy, and Elisabeth Licata, eds. In Company: Robert Creeley’s Collaborations. University of North Carolina Press: 1999.
20. Centre George Pompidou, ed. Francesco Clemente: Early Morning Exercises. Paris: Editions du Centre Pompidou, 1994.
21. Cicelyn, Eduardo, and Mario Codognato. Francesco Clemente: Museo Archeologico Nazionale. Napoli: Electa, 2003.
22. Clark, Tom. Robert Creeley and the Genius of the American Common Place. New York: New Directions, 1993.
23. Coffman, Stanley K. Jr. Imagism: A Chapter for the History of Modern Poetry. Norman: University of Oklahoma Press, 1951.
24. Dewey, John. Art as Experience. The Later Works, 1925-1953. Vol. X, 1934. Carbondale: Southern Illinois, 1987.
25. Duberman, Martin. Black Mountain: An Exploration in Community. New York: Norton, 1972.
26. Eccher, Danilo. Francesco Clemente: Opere su carta. Torino: Umberto Allemandi and Company, 1999.
27. Eco, Umberto. L’Œuvre ouverte. Paris: Seuil, 1965.
28. Eliot, Thomas Stern. On Poetry and Poets. London: Faber & Faber Ltd., 1961.
29. ---. “Tradition and the Individual Talent”. The Sacred Wood: Essays on Poetry and Criticism. London: Methune, 1920.
30. Escobar, Marisol. Marisol. Worcester [Mass]: Worcester Art Museum, 1971.
31. Faas, Ekbert, ed. Towards a New American Poetics: Essays and Interviews. Santa Barbara: Black Sparrow Press, 1978.
32. Faas, Ekbert, and Maria Trambacco. Robert Creeley: A Biography. University Press of New England, 2001.
33. Fauchereau, Serge. Lecture de la poésie américaine. Paris: Somogy, 1998.
34. Feinberg, Jean E. Jim Dine. New York: Abbeville Press, 1995.
35. Feinstein, Sascha. Jazz Poetry: From the 1920s to the Present. Westport [Ct]: Greenwood Press, 1997.
36. Fenollosa, Ernst. The Chinese Written Character as a Medium for Poetry. Ezra Pound ed. San Francisco: City Lights, 1986.
37. Ferlinghetti, Lawrence. The Poet as Painter : Dipinti dal 1959 al 1996. Roma : Progetti Museali Editore, 1996.
38. Fiedler, Konrad. Sur L’origine de l’activité artistique. (Sous la direction de Danièle Cohn). Paris : Presses de l’École normale supérieure, 2003.
39. Foster, Edward Halsey. Understanding the Black Mountain Poets. Columbia: University of South Carolina Press, 1995.
40. Foucault, Michel. Dits et écrits. Paris : Gallimard, 1994.
41. ---. Les mots et les choses. Paris: Gallimard, 1966.
42. Fredman, Stephen. Poet’s Prose: the Crisis in American Verse. New York: Cambridge University Press, 1994.
43. Fromm, Erich. The Sane Society. New York: Rinehart & Company, 1955.
44. Fundacion Caja de Pensiones, ed. Francesco Clemente Affreschi : Pinturas al fresco. Madrid : Fundacion Caja de Pensiones, 1987.
45. Gianelli, Ida. Transavanguardia. Milano : Skira, 2002.
46. Ginsberg, Allen. Kaddish and Other Poems, 1958-1960. San Francisco: City Lights Publishers, 1960.
47. Ginsberg, Allen and Francesco Clemente. White Shroud . Madras, India: Kalakshetra Publications Press, 1984.
48. Groupe µ. Rhétorique de la poésie.Bruxelles: Éditions Complexe, 1977.
49. Guggenheim Museum, ed. Clemente. New York: Guggenheim Museum Publications, 2000.
50. Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge University Press, 1994.
51. Harris, Mary Hemma. The Arts at Black Mountain College. Cambrige, [Ma]: MIT Press, 1988.
52. Hartman, Charles O. Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song. Princeton: Princeton University Press, 1991.
53. Hoffman, Daniel G., ed. American Poetry and Poetics. New York: Anchor Books, 1962.
54. Hoover, Paul, ed. Postmodern American Poetry: A Norton Anthology. New York: Norton, 1994.
55. Indiana, Robert. Robert Indiana. New York: Galerie Denise René, 1972.
56. Iser, Wolfgang. The Act Of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins University Press, 1978.
57. ---. The Implied Reader: Patterns of Communications in Prose Fiction from Bunyam to Beckett. Baltimore: Johns Hopkins University Press, 1980.
58. Jakobson, Roman. Essais de linguistique générale. Paris : Éditions de minuit, 1999.
59. Jenny, Laurent. La parole singulière. Paris : Belin, 1990.
60. Kandinsky, Vassili. Concerning the Spiritual in Art. (1914). Transl. by M.T.H. Sadler. Dover Publications, 1977.
61. ---. Du spirituel dans l’art et dans la peinture en particulier. Paris : Gallimard, 2003.
62. Katz, Vincent, ed. Black Mountain College: Experiment in Art. Cambridge, MA: MIT Press, 2003.
63. ---. Life is Paradise: The Portraits of Francesco Clemente. New York: powerHouse Books, 1999.
64. Kerouac, Jack. On the Road. London: Penguin, 1972.
65. Kinsman, Jane. The Prints of R.B. Kitaj. USA Scholar press Ashgate Pub., 1994.
66. Kitaj, Ronald Brooks. Kitaj: Painting, Drawings, Pastels. London: Thames and Hudson, 1983.
67. Krieger, Michael. The Play and Place of Criticism. Baltimore: John Hopkins University Press, 1967.
68. Kristeva, Julia. La révolution du langage poétique. Paris : Seuil, 1974.
69. ---. Polylogue. Paris : Seuil, 1977.
70. Lanthony, Philippe. Les yeux des peintres. Lausanne : L’Age d’Homme, 1999.
71. Leibovitz, Annie. Photographs: Annie Leibovitz 1970-1990. New York : HarperPerennial, 1992.
72. Lehman, David. The Last Avant-Garde: The Making of the New York School of Poets. New York: Doubleday, 1998.
73. Lessing, Gotthold Ephraim. Laocoon: An Essay on the Limits on Painting and Poetry. Transl. by Edward Allen McCormick. Baltimore: Johns Hopkins University Press, 1984.
74. Livingstone, Marco. R.B. Kitaj. Oxford: Phaidon Press Limited, 1999.
75. Lyotard, Jean-François. Discours, figure. Paris: Editions Klincksieck, 1971.
76. Maldinay, Henri. Regard, parole, espace. Lausanne : L’Age de l’homme, 1994.
77. McClatchy, J.D. Poets on Painters: Essays on the Art of Painting by Twentieth-Century Poets. Berkeley: University of California Press, 1988.
78. McCloud, Scott. Understanding Comics. Kitchen Sink Press, 1999.
79. McDarrah, W. Fred, and Gloria S. McDarrah. Beat Generation: Glory Days in Greenwich Village . New York: Schirmer Books, 1996.
80. Melville, Stephen, and Bill Readings, eds. Vision and Textuality. London: MacMillan, 1995.
81. Merleau-Ponty, Maurice. Le visible et l’invisible. Paris: Gallimard, 1964.
82. ---. Phénoménologie de la perception. Paris : Gallimard, 1945.
83. Meschonnic, Henri. Critique du rythme. Paris : Verdier, 1982.
84. ---. Pour la poétique. Paris : Gallimard, 1970.
85. Mitchell, William J. Thomas. Iconology: Image, Text, Ideology. Chicago: The University of Chicago Press, 1986.
86. ---. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.
87. --- ed. The Language of Images. Chicago: University of Chicago Press, 1980.
88. Moeglin-Delcroix, Anne. Esthétique du livre d’artiste. Paris : Editions de la Bibliothéque Nationale de France, 1997.
89. Molinié, Georges. Dictionnaire de rhétorique. Le Livre de Poche, 1992.
90. Musée d’Art Moderne et d’Art Contemporain de Nice, eds. Jim Dine: Paintings, Drawings, Sculptures 1973-1993. Boras : Boras Konstmuseum, 1994.
91. Museo d’Arte Contemporanea Castello di Rivoli, ed. Transavanguardia. Milano: Skira, 2002.
92. Neff, Terry A., ed. Donald Sultan. Chicago: Museum of Contemporary Art, 1987.
93. Noel, Bernard, ed. Jim Dine: Monotypes et gravures. Paris: Repères: Cahiers d’Art Contemporain, 1983.
94. Novik, Mary. Robert Creeley: An Inventory, 1945-1970. Kent: Kent StateUniversity Press, 1973.
95. Patterson, James T. Grand Expectations. Oxford: Oxford University Press, 1996
96. Peyré, Yves. Peinture et poésie : Le dialogue par le livre. Paris: Gallimard, 2001.
97. Philadelphia Museum of Art, ed. Francesco Clemente: Three Worlds. Philadelphia: Philadelphia Museum of Art, 1990.
98. Rabb, Jane Marjorie. Literature and Photography: Interactions 1840-1990. Albuquerque: University of New Mexico Press, 1995.
99. René Laubiés, quarante ans d’activité (catalogue de l’exposition). Paris: Galerie de Navarre, 1989.
100. Rexroth, Kennet. American Poetry on the Twentieth Century. New York: Herder and Herder, 1971.
101. ---. Rolling Renaissance: San Francisco Underground Art in Celebration: 1945-1968. San Francisco: Intersecion, 1968.
102. Ricard René, and Luca Babini. Francesco Clemente: A Portrait. New York: Aperture, 1999.
103. Riffaterre, Michel. La production du texte. Paris: Seuil, 1979.
104. Ryan, S. Elisabeth. Robert Indiana: Figures of Speech. New Heaven: Yale University Press, 2000.
105. Sanders, Jay, and Charles Bernstein. Poetry Plastique. New York : Marianne Boesky Gallery and Granary Books, 2001.
106. Sandler, Irving. Le triomphe de l’art américain: les années soixante. Tome II. Traduit par Frank Straschitz. Paris: Carré, 1990.
107. Sartre, Jean-Paul. L’être et le néant. Paris: Gallimard, 1943.
108. Sergeant, Philippe. Donald Sultan : Appoggiatures. Paris : Éditions de la différence, 1989.
109. Solomon R.Guggenheim Museum. Clemente. New York: Harry N. Abrams, 2000.
110. Sontag, Susan. Against Interpretation and Other Essays. New York: Farrar, Straus & Giroux, 1966.
111. Stein, Gertrude. Gertrude Stein: Writings 1932-1946. New York: The Literary Classics of the United States, 1998.
112. Tokoro, Akiyoshi, ed. Marisol: Recent Sculptures.Tokyo : Galerie Tokoro, 1989.
113. Weinhardt, Carl J. Jr. Robert Indiana. New York: Harry N. Abrams, 1990.
114. Wimsatt, W. K. Jr. The Verbal Icon: Studies in the Meaning of Poetry. London: Methuen & Co., 1970.
115. Whitehead, Alfred Norton. Process and Reality. New York: Macmillan, 1929.
116. Williams, Jonathan, and Guy Davenport. A Palpable Elysium. Boston [Mass]: David R. Godine, 2002.
117. Yau, John. The New York School: The Painters and Sculptors of the Fifties. New York: Harper and Row, 1978.
118. Zelevansky, Lynn & Thomas Frick. Robert Therrien. Los Angeles: Los Angeles Museum Of Modern Art, 2000.